Nagualli: Jorge Sanjinés, "La nación clandestina" (1989)

Tuesday, May 1, 2012

Jorge Sanjinés, "La nación clandestina" (1989)

1 comment:

Jose-Luis MoctezumaMay 2, 2012 at 4:10 PM
"The importance the film’s narrative gives to expectancy does not derive from an idealistic mythology of Indians, which would portray them as being impenetrable and taciturn while expecting who knows what destiny, but rather waiting represents an important element in Sanjinés’ whole aesthetic project, which tries to understand and transmit the experience of Aymara time."

-- Leonardo García-Pabón, from "The Clandestine Nation: Indigenism and national subjects of Bolivia in the films of Jorge Sanjinés"

http://www.ejumpcut.org/archive/jc44.2001/garcia/garciaforsite.html
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about | co-curators

Here uncoils a collective psychogeography of the Americas—a personal exploration of indigenous poetics and epistemes. With a specific focus on Nagualism, the native American practice of self-splitting and metamorphosis, this collective project (executed as a continuous exchange between its collaborators) confirms that metamorphosis is a rapid, ongoing process without beginning or end, an antinomous exchange of excess in limitless operation. So while we post here, a chattering seed grows suddenly to a green stalk while a stone or mountain teems with personhood and animacy; and we match that overflow with overflow. Thus do we redistribute cosmic energy. Its first transfer long preceded our arrival; but we continue the exchange, the extension which is likewise our rootedness. To a great extent, this is simply a record of the personal reading habits of its co-curators, Jose-Luis Moctezuma and Edgar Garcia.

Jose-Luis Moctezuma is a californiano and a current doctoral student at the University of Chicago. His studies focus on technologies of the image in poetry, cinema, and literature. His work has been/will be published by Berkeley Poetry Review, PALABRA, Cerise Press, and MAKE Magazine. He is an editor and writer at Hydra Magazine.

Edgar Garcia's poetry, translations, and essays have appeared in a number of publications, including Antioch Review, Berkeley Poetry Review, Big Bridge, Damn the Caesars, Exit 9, Jacket2, Los Angeles Review of Books, MAKE Magazine, Mandorla, Sous les Pavés, and Those That This: Arts Journal. Author of Mayan Texts: A Galactic Birth Canal (Burnt Water Booklets, 2010) and Boundary Loot (Punch Press, 2012), he was also formerly a writer and editor at Hydra Magazine. An anthology that he has co-edited titled American Literature in the World is forthcoming from Columbia UP. In 2015 he completed a Ph.D. in American Literature at Yale University and began as Provost’s Postdoctoral Scholar and Assistant Professor of English at the University of Chicago.